Bruno metra biography

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Bruno Metra & Laurence Jeanson In the media, we are bombarded by images of others. It is an otherness that is inaccessible, an image imposed on us, from which we feel powerless to escape. To reflect on the notion of identity, we are inviting each of our models to play a part in a simple experiement: to cut out of a magazine the face of this other and to appropriate it in part.

These paper cut outs of people are then applied by us to our models.

Bruno metra biography wikipedia Reactionary: The duo say their work challenges the monopoly the media has on modern ideals of beauty. How I was Influenced This gave me an area to explore interchanging people. Metra explains: 'We started this work after observing the behaviour of people close to us and how they reacted to images.

These faces, transformed in this way, become a photographic work of art that takes a hard look at our identity. Each model de-faces the other and then, in turn, defaces herself/himself (each person becoming the other by destroying her/ his model and own image). The fragility of their identity becomes visible, almost tangible. She/he has become a blend.

« Because I is an other ». The laws of appearance drive us, in fact, to shape our own image to the point of transformation. Beauty is no longer natural, but rather socially conditioned.

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The act of representation seems to have taken over what is real. The edit is what counts most. And so models erase themselves in order to gain another self. The figure of the other is no longer that of otherness… it no longer references our real image nor our humanity.

Bruno metra biography net worth: This is a message similar to what Metra and Jeanson are trying to promote by saying that by making yourself look like someone else will not fix the flaws that you yourself see when you look in the mirror. Cameron Diaz reveals the message of support that sparked her career U-turn after believing she 'would never act again' - as Vogue Mexico celebrate her return to cinema Louis Walsh admits he faked a plane crash to get Boyzone press and left the group 'scarred' by constantly leaking made up stories Luann de Lesseps, 59, of RHONY proves she can still rock a bikini after naming 'magic' diet. Reactionary: The duo say their work challenges the monopoly the media has on modern ideals of beauty. Bing Site Web Enter search term: Search.

We are portraying identities weakened by the diktat of appearance. Intervention is deliberately rendered apparent. The rough cuttings as well as the tape symbolise both the violence and the fragility at play. The nude individual makes the artifice seem even more brutal.

Bruno metra biography death It is an otherness that is inaccessible, an image imposed on us, from which we feel powerless to escape. These paper cut outs of people are then applied by us to our models. Transformation: Bruno Metra and Lawrence Jeanson use tears from magazines to create their work. How I was Influenced

Dans les médias, l’image de l’autre nous domine. Un autre inaccessible, une figure imposée à laquelle nous semblons ne plus pouvoir échapper. Pour questionner notre identité, nous proposons à chacun de nos modèles de se livrer à une expérience simple : découper dans un magazine le visage de cet autre puis se l’approprier en partie.

Ces morceaux d’humain en papier, sont ensuite appliqués par nos soins sur nos models. Ces visages ainsi transformés, deviennent à leur tour une œuvre photographique qui interroge sur notre identité. Chaque modèle dé-visage alors l’autre, puis se dé-figure à son tour (chaque personne devient autre en détruisant son model et sa propre image).

La fragilité de son identité devient visible, quasi palpable.

Bruno metra biography The faces, when transformed like this become a photographic art form that makes the audience take a hard look at their own individual identity. Privacy Policy Feedback. This helped me to explore ideas of how I could portray certain identities people choose to display in different environments. Since studying Metra and Jeanson I feel inspired to focus a lot more on bare faced models rather than models with pre-done makeup, I have an exciting idea which focuses on the transformation from beginning to end.

Elle est devenue hybride. « Car je est un autre ». Les lois de l’apparence nous poussent en effet à soigner notre image, jusqu’à nous transfigurer. La beauté n’est plus naturelle, elle est désormais sociale. La représentation semble avoir vaincu le réel. La retouche est plus forte. Les modèles s’effacent alors au profit d’un autre soi.

Bruno metra biography pdf But the bitter truth is I've never had a real friend Each choice is based on who we are associating with or the situation we are place in. How I was Influenced Get Me Out Of Here!

La figure de l’autre n’est plus celle de l’altérité ; elle ne renvoie plus à notre propre image ni à notre humanité. Nous mettons en scène des identités fragilisées par le diktat de l’apparence. L’intervention est volontairement apparente. Le découpage grossier, ainsi que le scotch en symbolise la violence et la fragilité. L’ individu a nu fait paraitre l’artifice d’autant plus agressif.